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[click
here for schedule of readings]
COURSE REQUIREMENTS
(Alongside each requirement is a figure in parentheses
indicating its importance to your final grade.)
1. Class Participation (20%)
This course offers an unbiased forum for you to delve into (and grapple
with) some of the texts that have captured the Western* imagination for
up to 3000 years-and, in so doing, to forge your own intellectual identity
as an educated person living in a Western culture. This will only work
if you (a) READ all the assigned texts attentively and on time, and (b)
show up to every class session alert, enthusiastic, and ready to share
your insights into the text, however inchoate or provisional, with your
classmates.
To meet minimum requirements for class participation (20% of your grade),
you should plan on speaking at least once in every class.
2. Online Discussion (20%)
Before each class session, you must visit the class webpage at http://humanities.psydeshow.org;
read through the background information and study questions I have posted
there; and contribute to the online discussion. On your first visit to
the website, when you click "Go To Discussion," you will be
prompted to register using your name, email, and a password. Enter your
name as you would like it to appear on the site, and a password that you
can easily remember. On future visits, this name and password will give
you access to the discussion. Only members of this class will have access,
so that your ideas are not available to the larger Web community. (Your
email address is given for registration purposes only and will be kept
private.)
Your online discussion contribution (ODC) should suggest or develop a
thought-provoking line of inquiry concerning a theme, motif or passage
you feel would merit our collective consideration in class. Be sure to
submit your ODC no later than midnight before each class. Your contribution
must be specific, and explicitly linked to a particular passage or passages
in the text, which you should refer to in your ODC. Vague contributions
with no textual backup will not be accepted.
To read more detailed guidelines for ODCs, go to the page "What is
close reading?" (under "Resources" on the website).
3. Papers (30%)
· OPTION 1: You may write three short papers of 4 pages each.
· OPTION 2: You may write two medium-length papers of 6 pages each.
I will distribute paper topics 3 times during the semester. You may choose
whether to write all three papers or whether to write only two. The deadlines
will be the same for both papers (i.e. whether you write a 4-page paper
or a 6-page paper, you must turn it in on the same due date, listed on
the schedule below). On your first paper, please indicate whether you
have selected Option 1 or Option 2.
Requirements 1 through 3 will
be assessed on an ongoing basis.
4. Exams (30%)
In addition to the above, you will take an in-class midterm exam (1hr.40min.)
and a final exam during the University Finals Period (3 hrs.).
CLASS POLICIES
Absences
A maximum of 3 unexcused absences is permitted. Absences will be excused
only in cases of genuine need and with advance notification. Lateness
is a sign of disorganization; please do your best to avoid it.
Academic Honesty
All work submitted must be your own, and must be produced exclusively
for this course. Plagiarism is easier to detect than you may imagine,
and carries gruesome penalties. I strongly suggest that you acquaint yourself
with the definitions and consequences of plagiarism described in your
school bulletin in order to avoid inadvertent transgression.
Grading
All work will be graded A through F. You may not pass-fail this class.
Your final grade will be calculated as follows:
- Class participation .....................20%
- Online discussion contributions ...20%
- Papers (together) .......................30%
- Midterm exam ...........................10%
- Final exam .................................20%
SCHEDULE
[click
here for course policies]
January |
Tue. 22:
Thu. 24: |
Aeneid, I-III
Aeneid, IV-VI |
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Tue. 29:
Thu. 31: |
Aeneid, VII-IX
Aeneid, X-XII |
February |
Tue. 5:
Thu. 7: |
Confessions, I-IX
Confessions, X-XIII
paper topics distributed |
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Tue. 12
:Thu. 14: |
Inferno, I-XI
Inferno, XII-XXII |
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MON. 18:
Tue. 19:
Thu. 21: |
Paper I due at noon, to my
mailbox in 708 Hamilton
Inferno, XXIII-XXXIII
Decameron: Prologue; Day I, intro & novellas 1-3; Day II,
7-10; Day III, intro, 1, 10; Day IV, intro, 1, 2, 5. |
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Tue. 26:
Thu. 28:
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Decameron: Day V, 4, 10; Day VI, all; Day VII,
2, 6, 8, 9; Day VIII, 7; Day IX, 6, 10; Day X, 5, 10, conclusion;
Epilogue
Montaigne, Essays: "To the Reader," 23; "On
Idleness," 26-28; "On the Power of the Imagination,"
36-48; "On Cannibals," 105-119; "On Democritus and
Heraclitus," 130-133. |
March |
Tue. 5:
Thu. 7: |
Montaigne, Essays: "On Repentance," 235-250; "On
Experience," 343-406.
King Lear, Acts I & II
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Tue. 12:
THU. 14: |
King Lear, Acts III-V
Midterm examination |
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March 18-22: |
SPRING BREAK |
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Tue. 26:
Thu. 28: |
Don Quixote, pp. 25-181; 199-214; 418-161
Don Quixote, pp. 467-492; 514-538; 562-570; 580-587; 607-624;
726-772; 926-940.
paper topics distributed |
April |
Tue. 2:
Thu. 4:
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Pride and Prejudice, pp. 1-215
Pride and Prejudice, pp. 215-345 |
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MON. 8:
Tue. 9:
Thu. 11: |
Paper II due at noon, to my
mailbox in 708 Hamilton
Crime and Punishment, pp. 1-193
Crime and Punishment, pp. 197-358
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Tue. 16:
Thu. 18: |
Crime and Punishment, pp. 361-551
To the Lighthouse, pp. 3-124 |
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Tue. 23:
Thu. 25: |
To the Lighthouse, pp. 125-209
Lolita, pp. 1-142.
N.B.: the "Foreword" by "John Ray Jr." is part
of the novel; John Ray is a fictional character. Read accordingly!
paper topics distributed |
May
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Tue. 30:
Thu. 2:
MON. 6:
FRI. 10:
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Lolita, pp. 145-247
Lolita, pp. 247-309
Paper III due at noon, to my mailbox in
708 Hamilton
FINAL EXAM, 12.30-3.30 P.M. (location tba)
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REQUIRED TEXTS
Virgil, Aeneid, trans. Fitzgerald (Random House)
Augustine, Confessions, trans. Chadwick (Oxford)
Dante, Inferno, trans. Mandelbaum (Bantam)
Boccaccio, Decameron, trans. McWilliam (Penguin)
Montaigne, Essays, trans. Cohen (Penguin)
Shakespeare, King Lear (Pelican)
Cervantes, Don Quixote, trans. Cohen (Penguin)
Austen, Pride and Prejudice (Oxford)
Dostoevsky, Crime and Punishment, trans. Volkhonsky and Pevear
(Vintage)
Woolf, To the Lighthouse (Harcourt Brace Jovanovich)
Nabokov, Lolita (Vintage) -available at Labyrinth
Books (112th st. between Broadway and Amsterdam).
Recommended: Diana Hacker, The Bedford Handbook for Writers.
This is the required text for Logic and Rhetoric, so you probably own
it already. The comments I make concerning the mechanics of your papers
will be based on, and keyed to, the guidelines set forth in this book,
so it will help you to acquaint yourself to some extent with its contents
before beginning to write. (Besides, as writing manuals go, this one is
pretty clear and easy to use.)
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