The midterm will consist of three parts:
I. Short answers (10 questions, one point each)
In this section you will be asked to give approximate dates
of composition for works we have read, and to identify certain
important figures who appear in the works. These figures may or
may not be fictional characters: for example, you should know the
name of Augustine's mother, and of Vergil's patron. (You can find
a list of the dates of the works further down this page.)
II. Identifications (8 questions, five points each)
In this section you will be given 10 brief excerpts from works
we have read, of which you should identify eight. For each excerpt,
you should state: the name of the author and of the work
[1 point], the name of the speaker and of the addressee
if any [1 point], the context (i.e., relevance to the plot)
[1 point], and the significance of the excerpt [2 points].
By significance I mean NOT the importance of the excerpt to
the plot (which is covered under "context"), but the place
of the excerpt in the larger poetic context of the work: themes,
motifs, imagery, symbolism, possible participation in other vocabularies
(such as the vocabularies of theology or philosophy) as well as in
the narrative. For example, if dealing with an excerpt from Vergil,
you might look for evidence of "time warp" (the way that
Vergil includes the full sweep of Roman history into his narrative
of this one proto-Roman episode); hunting imagery; the father-son
theme; the tensions among pietas (duty), amor (desire),
furor (fury), and pity (associated respectively with
Aeneas, Venus, Juno and the Trojans, but frequently overlapping, mixing
and/or becoming confused); the tension between memory and prophecy;
the immense, but ambiguous, power of narrative (Juno's temple
carvings; Aeneas's story; Sinon's story; Daedalus's cave pictures;
Aeneas's shield); war (don't forget the poem is officially about "arms
and the man," in that order); etc.
III. Passage analysis (1 question, 50 points)
Like the passage analysis section on the final exam, this one
will consist of three excerpts from works we have read, of which you
should choose one to analyze. The excerpts will be identified
for you. You should analyse the internal poetic composition of the
excerpts and move from that analysis to a discussion of the significance
of the excerpt to the work as a whole. DO NOT DISCUSS PLOT. As in
Section II, significance here means that you should sketch
the ways in which the excerpt participates in the symbolic vocabulary,
imagery, thematics, rhetoric, antecedent form*, dramatic
mechanism (suspense and release), etc. of the work as a whole.